Artist Statement

My work explores the human experience through the language of clay. Its fractures, growth, tensions, and transformations.

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I work primarily with hand-built slabs, rejecting the potter’s wheel in favor of a slower, more deliberate process. I press, fold, carve, tear, and reassemble the clay, allowing the process to shape the final form. Seams, irregularities, and marks remain visible as records of pressure, change, and time.

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I am drawn to the tension between order and instability, fragility and resilience, grounding and movement. My forms often sit somewhere between vessels and sculptural objects, carrying traces of both control and unpredictability.

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For me, working with clay is a way of thinking through experience. I am interested in how we adapt, what we carry with us, and how we continue to take shape while everything around us changes.